Gothic
1150AD – 1500AD
The word gothic, which means crude or barbaric culture, is based on the name of Germanic
tribes, the Goths, who invaded Italy and broke down the Roman Empire.
Woman wearing heraldry and parti-colouring. |
In this era the gothic fashion was influenced by
architecture and art. During this period, the Church gained a large following and
had more power than their feudal system. The feudal system "was based on allocation of land in return for service. The king would give out grants of land to his most important noblemen (barons and bishops), and each noble would have to promise to loyally follow him and supply him with soldiers in time of war." (themiddleages)
There were many key style features in the Gothic era, which included
heraldry, parti-colouring, mi-party, dagging, pourpoint, cote-hardie, doublet, houppelande, sideless surcote, chaperon and the liripipe.
Heraldry was a combination of parti-colouring, coat of arms
and family crests/insignia, which would be worn as an identifier of lineage. Parti-colouring
was a multi-colored garment that often had one side embroidered, based on the
colours. Mi-parti was the dividing of clothes vertically into two different
colours, which was most popular in tights.
Dagging was a type of design at the edge of garments. It was
slashed into shapes such as scallops, crosses or points. These would often be
seen on the chaperon, which were a caped hood with a liripipe (a long tail).
The pourpoint was a short jacket with tight sleeves buttoned
from the elbow to the wrist. These buttons were not only used for making the
sleeves tighter but for the ability to lace armor on. It was also worn under
the cote-hardie, which was a garment worn tight fitting around the
shoulders, waist and hips. The cote-hardie was often dagged and worn by men and women.
The doublet was also a short jacket that could be sleeved or
sleeveless. It could be worn under a close fitting pourpoint but when worn as
an outer garment, would be padded and have a short skirt.
The houppelande was a loose comfortable gown that usually
had bell shaped sleeves with dagging on the edges. Though worn by both men and
women, women always wore it at full length while men sometimes wore it shorter.
Gothic women also wore a sideless surcote that was a ove
gown with the sides cutaway from under the arm to the hip. It remained as a
ceremonial dress later in the gothic period
Woman: wearing a sideless/cutaway surcoat over a blue cote-hardie. Man: wearing a short cote-hardie and an orange chaperon with a long liripipe. both wearing poularies/crackows |
In addition gothic fashion had some interesting accessories
such as poularies/crackows, pomanders and the gorget.
Gothic woman wearing a hennin. |
Poularies or crackows were long-tipped shoes that later on
grew so much in length it had to be tied to the knees.
The gorget was a garment worn under the chin and tucked under the neckline of a gown, which was later developed into a metal piece of armor.
The gorget was a garment worn under the chin and tucked under the neckline of a gown, which was later developed into a metal piece of armor.
Women wore pomanders a ball like pendant containing a sponge
of perfume that would be worn from a necklace or girdle. They also wore
tippets, which was a band sewn around the elbow of a cote-hardie with the end
hanging as a streamer.
It was popular for women to wear head pieces such as the
reticulation, escoffin, hennin and the coif. The reticulation was a decorative
metal cage structure used to hold their hair while the escoffin was a tall and
heavily decorated headdress sometimes shaped like two horns and usually worn as
a veil. The hennin was a cone or steeple like headdress with a veil and the
coif was a close fitting cap tied under the chin.
Modern outfit inspired by this era:
Givenchy Spring 2010 ready-to-wear fashion show |
This outfit was part of the Givenchy Spring 2010 ready-to-wear
fashion show in Paris. The collection had a lot of draping, leggings, kilts and
prints. While the collection itself was not inspired by the gothic era, I felt
some of the garments had a lot of elements, which derived from this era’s
fashion.
The clearest feature on this outfit that reflected key
features from the gothic era is the headpiece, which can be compared to the
popular gothic headpiece, the hennin. Though that piece is very literal I think
they modernised it by rounding out the point and giving it a type of alien look,
often associated with the ‘future’.
Another prominent style feature in this outfit would be the tights,
which are mi-parti. As explained above mi-parti is the dividing of clothes
vertically into two different colours. I believe the tights in this outfit are
modernised by placing the colours is different angles and excluding the traditional bright colours, which would look dated,
and using the same colour but in different fabrics. The use of different fabrics also
updated the outfit as the shiny type of fabric looks manmade, which would not
have been available at that time.
The short dress placed on top of the tights, which was also
a common look in gothic fashion, mirrors the women’s houppelande as it features
a ‘v’ neck shape and a belted high waist. I think this dress was modernised by shortening
the length of the skirt as well as the sleeves.
References:
The Feudal System (n.d.). In themiddleages. Retrieved August 28, 2014, from http://themiddleages.tripod.com/feudal_system.htm
The Collection Online (n.d.). In The Metropolitan Museum of Art. Retrieved August 31, 2014, from http://www.metmuseum.org/collection/the-collection-online/search/437059
Paper Dolls Again (2011, November 22). In History of Costume. Retrieved September 2, 2014, from http://historyofeuropeanfashion.wordpress.com/2011/11/20/paper-dolls-again/
History of Costume (2009, July 31). In Scribd. Retrieved September 4, 2014, from http://www.scribd.com/doc/17887345/History-of-Costume
Heraldic Cotehardie (2010, June 21). In Ysabel la Broderesse. Retrieved September 4, 2014, from http://ysabelbroderesse.blogspot.co.nz/2010/06/heraldic-cotehardie.html
Mower, S. (2009, October 3). SPRING 2010 READY-TO-WEAR Givenchy. In Style. Retrieved September 2, 2014, from http://www.style.com/fashionshows/review/S2010RTW-GIVENCHY
Gothic (n.d.). In CWU. Retrieved September 1, 2014, from http://www.cwu.edu/~robinsos/ppages/resources/Costume_History/gothic.htm
Gothic (n.d.). In CWU. Retrieved September 1, 2014, from http://www.cwu.edu/~robinsos/ppages/resources/Costume_History/gothic.htm
Wow, what a gothic jacket womens wearing?
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